12.00-12.30 Predstavljanje projekta Vojin Bakić i Didaktička izložba WHW (Nataša Ilić, Sabina Sabolović, Dejan Kršić)

12.30-13.30 Miklavž Komelj: Kako misliti partizansku umetnost?, predavanje i diskusija u prostoru izložbe (ovaj segment diskusije se snima i priključuje postavci izložbe)

13.30-14.30 Pauza za ručak (kafa, čaj, sokovi, sendviči, voće)

14.30 -15.00 Predstavljanje projekta Čim ujutro otvorim oči, vidim film, Ana Janevski

15.00-15.30 Predstavljanje projekta Trajni čas umetnosti, kuda.org (Zoran Pantelić)

15.30-16.00 Predstavljanje projekta Dva vremena jednog zida: Slučaj SKC-a 1970ih, Prelom kolektiv (Jelena Vesić, Dušan Grlja)

16.00-17.00 Diskusija sa publikom oko predstavljenih istraživanja i umetničkih radova (Učestvuju svi prisutni kustosi istraživači i umetnici)

17.00-17.30 Pauza

17.30-18.30 Podroom - Teorijski performans u izvođenju zagrebačkog kolektiva BADco. u saradnji s Institutom za trajanje, mjesto i varijable (DeLVe, Antonija Majača i Ivana Bago), učesnicima izložbe i publikom (ovaj kolektivni performans se snima i priključuje postavci izložbe)
******

Realizaciju izložbe, objavljivanje publikacije i diskusioni program omogućili su: Ministarstvo kulture Republike Srbije, ERSTE Fondacija, Fond za otvoreno društvo, Ambasada Republike Poljske, Goethe Institut Beograd/Pakt za stabilnost Jugoistočne Evrope, Gradska uprava za kulturu grada Novog Sada i Pokrajinski sekretarijat za kulturu i obrazovanje.

Zahvaljujemo se Kulturnom centru Beograda, Muzeju istorije Jugoslavije i WinWin Computer Shop-u.

PR: Nataša Lazić, Muzej savremene umetnosti
tel: (+381 11) 367 62 88
fax: (+381 11) 367 62 91
mob: 064 1508 662
e: natasa@msub.org.rs
web: www.msub.org.rs

Chto delat? /// What is to be done? (www.chtodelat.org)

The platform Chto delat (What is to be done?) was founded in early 2003 in Petersburg by a group of artists, critics, philosophers and writers from Petersburg, Moscow and Nizhny Novgorod with the goal of merging political theory, art and activism. The platform's activity aims at triggering a collective initiatives in a form of Temporary Art Soviets. It is the Temporary Artistic Soviet that could serve as a prototypical social model, capable of formulating and realizing its goals independently, taking on the function of an alternative power, an open system for interaction with society at large.

The participants of platform engages in a variety of art projects, including videoworks, installations, public actions, radio programs, and artistic examinations of social and political space.

This workgroup as an editorial committee publishes international English-Russian newspaper, with a special focus on the Russian artistic-intellectual situation.

Chto delat?
(www.chtodelat.org)

Platformu Chto delat osnovala je početkom 2003. godine u Sankt Petersburgu grupa umetnika, kritičara, filozofa i pisaca iz Sankt Petersburga, Moskve i Nižnjeg Novgoroda s ciljem da spoji političku teoriju, umetnost i aktivizam. Delatnosti ove platforme teže da pokrenu kolektivne inicijative u vidu Privremenih umetničkih sovjeti. Upravo ti Privremeni umetnički sovjeti mogli bi da posluže kao prototipski društveni model, sposoban da nezavisno formuliše i ostvaruje svoje ciljeve, uzima na sebe funkciju jedne alternativne sile, otvorenog sistema za interakciju sa širom javnošću.

Učesnici platforme bave se raznim umetničkim projektima, uključujući video-radove, instalacije, javne delatnosti, radio-programe, i umetnička ispitivanja društvenog i političkog prostora.

Ova radna grupa kao urednički komitet objavljuje međunarodne englesko-ruske novine, s posebnim naglaskom na ruskim umetničko-intelektualnim prilikama.

Izabrane izložbe i projekti / Selected participation in exhibitions and the project initiated by the group

2009
- Where Everything Is Yet to Happen. 1st chapter: "Can you speak of this? -Yes, I can", SPAPORT BIENNIAL 2009/2010, Banja Luka, Bosnia-Herzegovina
- 11th Istanbul biennale, Turkey
- The Matrix: An Unstable Reality, 28th Biennale of graphic arts, Ljubljana
- Subvision festival, Hamburg
- Hidden in Remembrance is the Silent Memory of Our Future, 4th Biennial of Moving Image, Contour Mechelen

2008

- Unvermittelt, NGBK, Berlin
- Artist-Citizen, October Salon, Belgrade
- U-TURN, Quadrennial for Contemporary Art, Copenhagen
- No More Reality, De Appel, Amsterdam

2007
­- Land of Human Rights, Rotor, Graz, Austria
- October. Exit. Memory. Desire, ARTRA, Milano, Italy
- Political - Poetical, Kunstihoone, Tallinn, Estonia

2006
- Cities from Below (Curated by Marco Scotini), Teseco Foundations, Piza, Italy
- Zone of Risk. Transition, 3d Bishkek Exhibition of Contemporary Art
- Urban Contact Zone, Westwerk (organised by Projektgruppe), Hamburg

U saradnji sa / In collaboration with:
Rena Raedle i/and Vladan Jeremić (Belville)

Rena Redle i Vladan Jeremić rade zajedno od 2002. godine i aktivno učestvuju u raznim projektima koji se bave savremenom umetnošću i društvenim aktivizmom. Rena Redle rođena je u Nemačkoj, a živi i radi u Beogradu. Diplomirala je vizuelne komunikacije na Akademiji za umetnost u Kaselu, u Nemačkoj (2002). Kritički istražuje intersocijalne i interkulturalne odnose pomoću videa, fotografije i teksta.
Vladan Jeremić je umetnik, aktivista i pronicljiv posmatrač sistema umetnosti i odnosâ između kulture i politike. 2004. godine završio je Interdisciplinarne master studije, na Univerzitetu umetnosti u Beogradu, 2001. je diplomirao na Fakultetu primenjenih umetnosti Univerziteta umetnosti u Beogradu. Od 1996. do 1998. studirao je istoriju umetnosti na Filozofskom fakultetu Univerziteta u Beogradu. Redleova i Jeremić objavili su mnoštvo tekstova o savremenoj umetnosti i političkom aktivizmu u raznim publikacijama i na Internetu. Učestvovali su u velikom broju događaja o umetnosti i aktivizmu u Evropi. Samostalne izložbe u Srbiji, Francuskoj i Nemačkoj. Njihov veb-sajt: http://raedle-jeremic.modukit.com

Rena Raedle and Vladan Jeremić work together since 2002 and are active in
various projects dealing
with contemporary art and social activism. Rena Rädle is born in
Germany and lives and works in
Belgrade. She graduated visual communication at Kunsthochschule
Kassel, Germany (2002). She
critically researches inter-social and inter-cultural relations using
video, photography and text.
Vladan Jeremić is artist, activist and keen observer of the art system
and the relations between
culture and politics. In 2004 he graduated in Interdisciplinary Master's Studies,
University of Arts Belgrade, Serbia (Yugoslavia), 2001 he he graduated with B.A. in Applied Arts, University of Arts, Belgrade. He studied History of Art at the
Faculty of Philosophy, University of Belgrade, from 1996-1998. Rädle & Jeremić have published many texts related to contemporary art
and political activism in
different publications and on-line. They participated in numerous
events on arts and activism in
Europe. Solo exhibitions in Serbia, France and Germany.
Artists website: http://raedle-jeremic.modukit.comDarinka Pop-Mitić

Studirala Fakultet političkih nauka i slikarstvo na Likovnoj akademiji u Beogradu. Objavljivala je tekstove, u brojnim publikacijama i štampi. Autor je više radova u javnom prostoru koji se bave rekonstrukcijom politike sećanja.
Darinka Pop-Mitić istražuje odnos istorije i prostora istorijskog sećanja u bivšoj Jugoslaviji1 krećući se od građanskih salona "ukrašenih" pejzažima stratišta iz poslednjih jugoslovenskih ratova do ruševnih zidova na kojima se nalaze polu-izbrisane poruke solidarnosti sa "Trećim svetom". Njeni objekati i slike su tako okidač za souvenir involontaire2 koji reaktuelizuju prošlost za posmatrača i čine ga savremenikom epohe inscenacije koja ga okružuje.
Sledeći Čestertonov aforizam da je kod slike najzanimljiviji ram odnosno da su u umetnosti najzanimljivija "granice" Darinka Pop-Mitić nas poziva da gledamo pažljivije "ram" nego samu "sliku".
Izabrane izložbe: 
2004. 6. Jugoslovenski bijenale mladih, Za sada bez dobrog naziva, Vršac

2004. 1. Balkanski bijenale, Cosmopolis, Solun, Grčka 

2005. Border disorder, SKC Beograd

2006. Near Dark, Salon MSU 

2008. SPAPORT, Godišnja izložba savremene umetnosti, Banja Luka, BIH

2008. 49. Oktobarski Salon, Umetnik Garđanin/Građanka, Beograd

2009. Nedaleko, nedavno, Galerija Nova, Zagreb, Hrvatska

2009 Helsinki Effect, galerija Kontekst, Beograd

2009. 11. Istanbulski bijenale, What Keeps Mankind Alive?, Istanbul, Turska

2009. 50. Oktobarski salon, Okolnosti, Beograd

Darinka Pop-Mitić

Studied at the Faculty of Political Sciences in Belgrade and latter on the Academy of Fine Arts in Belgrade, painting department. Published numerous texts and esseys both in various publications and press. Author of various projects and artworks in public space that deal with the politics and reconstruction of memory.

Darinka Pop-Mitić explores the relationship between history and the space of memory in the former Yugoslavia,* moving from bourgeois salons "decorated" by images of sites of mass killings from the latest Yugoslavwars to decrepit walls containing half-erased messages of solidaritywith "The Third World". Her objects and paintings thus constitute a triggerfor souvenir involontaire,** which reactualises the past for the viewer.Adhering to Chesterton's aphorism that the most interesting thing about a picture is its frame, that is, that the most interesting thing about artare its "boundaries", Darinka Pop-Mitić invites us to take a closer look at this "frame".

* It is interesting to note that the artist studied at the Faculty of Political Sciences,
but decided to give up her studies there when the only thing she could remember
during the Contemporary Political History exam was the Nanking massacre (a
horrible war crime committed by the Japanese in World War Two) and the exact
number of those killed.

** Involuntary memory. A concept made famous by the French writer Marcel
Proust in In Search of Lost Time.
Belgrade, 1975. Lives in Belgrade.

Selected exhibitions:
2004 Untitled as Yet, VI Yugoslav Biennial of Young Artists, Concordia, Vršac, Serbia
2004 1st Balkan Biennial, Cosmopolis, Thessalonica, Greece 
2005 Border Disorder, SKC, Belgrade, Serbia

2006 Near Dark, MOCA Belgrade Salon, Belgrade, Serbia

2008 SPAPORT, International Annual Exibition of Contemporary Art, Banja Luka, Bosna and Herzegovina

2008 49th October Salon, Artist-Citizen, Belgrade, Serbia

2009 Not so long ago, not so far away, Nova gallery, Zagreb, Croatia

2009 Border Disorder, Tutun Deposu, Istanbul, Turkey.

2009 Helsinki Effect, Kontekst gallery, Belgrade, Serbia

2009 11th International Istanbul Biennial: What Keeps Mankind Alive?, Istanbul, Turkey.

2009 50th October Salon, Circumstances, Belgrade, Serbia
Born in Rijeka, Croatia, David Maljković currently lives and works in Zagreb. Recent solo exhibitions include P.S.1 Contemporary Art Center, International and National Projects, New York; The Whitechapel Gallery, London; Kunstverein, Hamburg; CAPC, Bordeaux; Le Plateu, Paris; Metro Pictures, New York; Museo nacional Centro de Arte Reina Sofia, Madrid. Recent group exhibitions include Magellanic Cloud Centre Pompidou, Paris; Eyes Wide Open, Stedelijk Museum, Amsterdam; 5th Berlin Biennial for Contemporary Art; Modernologies MACBA, Barcelona; 11th Istanbul Biennial. Public collections include: Centre Pompidou, Paris; Ludwig Museum - Museum of Contemporary Art, Budapest; Museum of Modern Art, New York; Stedelijk Museum, Amsterdam; Tate, London; Van Abbemuseum, Eindhoven

IGOR GRUBIĆ započeo je 1992. studij filozofije, a kasnije psihoterapije temeljene na Transakcijskoj analizi. Njegovo umjetničko djelovanje, od 1996. godine, obuhvaća site-specific intervencije u javnom prostoru s ciljem uključivanja drugih u kreativne procese. Od 2000. radi u studiju za aktivistički video Fade In kao producent dokumentaraca, televizijskih reportaža i društveno angažiranih reklama. Svoje radove prezentirao je u mnogim međunarodnim institucijama i manifestacijama. Recentne samostalne izložbe uključuju: East side story, Muzej savremene umetnosti (2008, Beograd); Prije i poslije oluje, MMC Luka (2008, Pula) i Anđeli garavog lica, BELEF (2006, Beograd). Neki od najvažnijih projekata i akcija u javnom prostoru: 366 Rituala oslobađanja (2008, Zagreb); Poziv na smjenu uprave Studentskog Centra (2000, Zagreb); Crni Peristil (1998, Split/Zagreb); Knjiga i društvo-22% (1998, Zagreb); NO KI TEKA (1997/8, Zagreb). Izbor iz grupnih izložbi na kojima je sudjelovao uključuje: 11. Bijenale u Istanbulu- What Keeps Mankind Alive? (2009, Istanbul), No More Reality (2009, Istanbul), Oktobarski salon (2008,Beograd); Be A Happy Worker: Work-To-Rule, Galerija Miroslav Kraljević (2008, Zagreb); Bad Joke (2007, Tallin), October. Exit, Desire and Memory, Artra Gallery (2007, Milano); Revolution is not a garden party, Trafo Gallery (2006, Budimpešta); Nuspojave, Muzej savremene umetnosti (2006, Beograd); Looking Awry, Apexart Gallery, (2003, New York); Imaginary Balkans, Site Gallery (2002, Sheffield); Manifesta 4 (2002, Frankfurt); What, how and for whom, Kunsthalle Exmergasse (2001, Beč)...

IGOR GRUBIĆ

IGOR GRUBIĆ enrolled in 1992 in a course of philosophy and later psychotherapeutic education based on Gestalt and Transactional analysis. As a visual artist, since 1996 he has mainly produced site-specific interventions in public spaces, with the aim of involving others in the creative process. Since 2000 he has worked as a producer and journalist at Fade In, a studio for activist video, on the production of documentaries, TV reports and socially committed TV advertising. He has exhibited his work widely. Recent solo exhibitions include: Before and After the Storm, MMC Luka (Pula, 2008) and Sooty-faced Angels, BELEF, (Belgrade, 2006). His most important projects and actions in public space include: Call for the withdrawal of the Zagreb Student Center management (2000, Zagreb), Black Peristyle (1998, Split/Zagreb), Book and Society - 22 % (1998, Zagreb), NO KI TEKA (1997/8, Zagreb). A selection of group exhibitions includes: 11th International Istanbul Biennia-lWhat Keeps Mankind Alive? (2009, Istanbul), No More Reality (2009, Istanbul), Be A Happy Worker: Work-To-Rule, Galerija Miroslav Kraljević (2008, Zagreb), Bad Joke, (2007, Tallin), October. Exit, Desire and Memory, Artra Gallery, (2007, Milano), Revolution is not a garden party, Trafo Gallery (2006, Budapest), Side-effects, Museum of Contemporary Art (2006, Belgrade), Looking Awry, Apexart Gallery, (2003, New York), Imaginary Balkans, Site Gallery (2002, Sheffield), Manifesta 4, (2002, Frankfurt), What, how and for whom, Kunsthalle Exmergasse, (2001, Vienna), etc.

Hito Štejerl je autorka dokumentarnih filmova i teoretičarka umetnosti, živi u Berlinu. Gostujući je profesor je Konceptualne umetnosti na Royal Art Akademiji u Kopenhagenu i brojna predavanja drži na umetničkim i filmskim školama u Beču, Minhenu, Hanoveru, itd.
Filmovi: Germany and Identity (1994), Land of Smiles (1996), Babenhausen
(1997), The Empty Centre (1998), Normalität (1999).

Njen rad je prikazivan na brojnim međunarodnim izložbama, kao što su Manifesta 5 (San Sebastián) and documenta 12 (Kasel).

Documentary filmmaker and author, lives in Berlin. Visiting Professor for Conceptual Art at the Royal Art Academy Copenhagen, numerous lectureships at art and film schools in Vienna, Munich, Hannover, etc.
Films include: Germany and Identity (1994), Land of Smiles (1996), Babenhausen (1997), The Empty Centre (1998), Normalität (1999).

Her work has been included in numerous international exhibitions, including
Manifesta 5 (San Sebastián, Spain) and documenta 12 (Kassel, Germany).Dejan Habiht je profesionalni fotograf i konceptualni umetnik. Tanja Lažetić je vizuelna umetnica, koja radi sa tekstom i fotografijom. Od 1994. sarađuju na zajedničkim projektima. Tema njihovog rada su svakodnevnica i sećanja. Prave fotografije, video radove i umetničke knjige. Žive u Ljubljani.

Dejan Habicht is professional photographer and conceptual artist. Tanja Lažetić is visual artist who work with text and photography. Since 1994 they have occasionally worked together on joint projects. The focus of there work is everyday and memory. They produce photographies, videos and artist books. They live in Ljubljana.

Selected GROUP EXHIBITIONS / Izabrane grupne izložbe
2009
- 28th Biennial of Graphic Arts, International Centre of Graphic Arts, Ljubljana, Curator: Božidar Zrinski
2008
- Museum in the Street, Museum of Modern Art, Ljubljana, Curators: Zdenka Badovinac, Bojana Piškur
- The Renaming Machine, Jakopič Gallery, Ljubljana and Miroslav Kraljević Gallery, Zagreb, Curator: Suzana Milevska
2007
- Every Man is a Curator / Jeder Mensch ist ein Kurator, Museum of Modern Art, Ljubljana, Curator: Zdenka Badovinac
2006
- Arteast Collection 2000+23, Museum of Modern Art, Ljubljana, Curator: Zdenka Badovinac
- Interrupted Histories, Museum of Modern Art, Ljubljana, Curator: Zdenka Badovinac
2005
- Territories, Identities, Nets, Museum of Modern Art, Ljubljana, Curator: Igor Zabel, Igor Španjol
2004
- Twinklings, Gallery of Extended Media, Zagreb, Curator: Alenka Gregorič
2003
- U3 - Here and There, Museum of Modern Art, Ljubljana, Curator: Christine Van Assche
2002
- Start, City Art Museum, Ljubljana and Karas Gallery, Zagreb, Curator: WHW
2001
- ARS AEVI, Rendez-vous 3, Sarajevo, Curator: Zdenka Badovinac
2000
- U3 - Vulgata, Museum of Modern Art, Ljubljana, Neuer Berliner Kunstverein, Berlin and Gallery Trafó, Budapest, Curator: Gregor Podnar
1999
- The Taste of City, ŠKUC Gallery, Ljubljana, Curator: Gregor Podnar, Tadej Pogačar, Igor Zabel